DRAWING PAPER, PADS, & BLOCKS

Great for creating Zentangle art patterns and other doodling. Pads include 40 sheets of 80gsm paper.

Art Spectrum Colourfix Papers are sheets of acid-free, 340gsm hot pressed European watercolour paper, screen printed with Art Spectrum Colourfix Primer. Colourfix sheets have a fine, deep tooth and are a superb substrate for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours and dry media such as charcoal and pencils. This pack of 10 sheets of 23x30cm (9"x12") Colourfix paper…

Acid Free, ultra smooth bright white paper. Suitable for alcohol/spirit based inks, watercolours, and acrylics. Synthetic Yupo® paper consists of petroleum-derived polypropylene resin and inorganic filler (calcium carbonate). A synthetic (polypropylene) substrate is born with a non-porous surface that repels water. Yupo® has an ultra-smooth finish, a non-absorbent substrate that dramatically chang…

Acid Free, ultra smooth bright white paper. Suitable for alcohol/spirit based inks, watercolours, and acrylics. Synthetic Yupo® paper consists of petroleum-derived polypropylene resin and inorganic filler (calcium carbonate). A synthetic (polypropylene) substrate is born with a non-porous surface that repels water. Yupo® has an ultra-smooth finish, a non-absorbent substrate that dramatically chang…

Bockingford B21 Sketch Pads contain 120gsm artist quality white sketch paper. Ideal surface for sketching, drawing, painting and pastel work. Acid and lignin free to ensure preservation of work. 60 leaf. Available in A5, A4, A3, and A2 Paper Weight: 120gsm

Brause Premium Calligraphy Pad with 125gsm off-white Vellum paper. Vellum paper is grain-free, smooth and silky. An integration of 50 percent cotton gives it a soft touch, providing a pleasurable calligraphy experience. A5 size. 30 blank sheets. Off-white coloured paper.

The Canson Bristol Graphic gummed pad has an extra smooth surface, ideal for illustration, design and drawing using a variety of media, including pencil, pen & ink, technical pen, airbrush and light wash. Canson Bristol Graphic paper is clean white, and has a strong surface for repeated working and erasing. This paper is also is acid-free. A4 size. 250gsm/115lbs. 20 sheets per pad.

This bulky 90g paper has a very light and regular grain and is ideal for sketching with pencil, charcoal, felt-tip or sanguine. You can draw quickly without being afraid to press hard, to rub out or erase. Basic paper for every artist and particularly for art students. A4 size. 90gsm weight alternating white and ivory paper. 100-sheet glued pad.

This machine-glazed kraft paper has an attractive appearance, with one side smooth and shiny and the other matte. The ribbed paper is very similar to the Ingres and laid paper. It is made with long, natural, unbleached virgin fibers. It is 100 percent natural and also 100% biodegradable and recyclable. Its unique mechanical strength, flexibility and printability enable various uses either in drawi…

This paper is brown on one side and black on the other. Acid free and PH Neutral. A4 size. 90gsm weight paper. 60-sheet glued pad.

Manga 100g layout paper is very white and smooth and thus perfect for the colouring with alcohol marker pen as it is very resistant to ink penetration. Colour mixing and shading are easily made as this paper is bleed proof. It is especially well adapted to drawing with pencil, Indian ink, inking and colouring. A4 size. 100gsm weight blank paper. 50-sheet glued pad.

The PaintON range’s darkest colour! With its deep black shade, this mass-tinted paper will offer a profusion of contrasts while varying techniques. Its heavy weight makes it well adapted to mixed media such as pencil, charcoal, pastel, felt tip, Indian ink, marker, and gouache. Its slightly rough grain will allow a variety of styles and tools to obtain a beautiful depth which will effortlessly enh…

PaintON grey has already gained popularity! With its particularly eyecatching grey colour and its fine rough grain, this paper will give a very nice highlight for several techniques such as pencil, ink, gouache, pastel or oil. It will give depth and character to colour shades. 250gsm weight grey paper. 30-sheet glued pad.

The PaintON mixed media range is the perfect compromise for both dry and wet techniques. Thanks to its paper weight, this quality paper is resistant to scratching and enables multiple layers. With its sandy shade and fine rough grain, PaintON Natural is very much on-trend and allows the artist to work with an interesting background. Its very popular Kraft like soft shade will give depth to colour…

An assortment of PaintON papers in a top-glued pad for those who wish to choose papers at will. Each pad contains 6 PaintON sheet styles - white, with grain, sandy, grey, black and denim - with four sheets of each style. 250gsm weight paper. Assorted colours. 24-sheet glued pad.

The PaintON mixed media range is the perfect compromise for both dry and wet techniques. Thanks to its paper weight, this quality paper is resistant to scratching and enables multiple layers. This extra-white paper, 100 percent pure cellulose, has two distinctive surfaces. One side has a pronounced grain to give character to creations. The other side is smooth and is dedicated to precise drawings.…

Individual sheets available in store.  Pastelmat is a premium card surface (360gsm) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels. Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has th…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists,offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper divi…

The trusted medium for the pastel market. The pastel adheres so well to this new paper that you don’t need to usea fixative between each layer. You are able to multiply the layers without a saturation effect. Pastelmat brings new opportunities for pastel artists, offering a coarser surface than velour but a softer surface than sand paper. In the pads, each sheet is protected by a crystal paper div…